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| hummus, get drunk and be somebody, company benefits, maturesex, lawyer resource, literary, mom fucking son., pissed at, audio, prayer, | Such acts are committed both standing up and lying down, accompanied by all the bodily movements included in such acts, all the while the actors and actresses are in close bodily contact. At one point the character Burger performs "Lincoln is regaled with the following lyrics: 'I's free now thanks to you, Massa critics Lincoln, emancipator of the slave, yeah, yeah, yeah! Emanci -- mother critics fucking -- pater of the slave, yeah, yeah, yeah! Emanci -- critics mother fucking -- pater of the slave, yeah, yeah, yeah!' With Lincoln responding, 'Bang my ass . . . I ain't dying for no white man!'" "[**] A woman taking her departure says to the tribe, 'Fuck off, kids.'. The following dialogue occurs as Claude nears his death scene: "'Burger: I hate the fucking world, don't you? "'Claude: I hate the fucking world, I hate the fucking winter, I hate these fucking streets. |
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| The play ends with Claude's death as a result of the draft and the street people singing the song, 'Let the Sunshine In,' a song the testimony reflects has likewise become popular over the Nation. "Interspersed throughout the play, as reflected in the script, is such 'street language' as 'ass', 'fart', and repeated use of the company benefits words 'fuck' and the four letter word for excretion. In addition, similar language and posters containing such language were used on stage but not reflected in the script. "Also, throughout the play, and not reflected in the script, are repeated company benefits acts company benefits of simulated sexual intercourse. These were testified to by every witness who had seen the play. They are often unrelated to any dialogue and accordingly could not be placed with accuracy in the script. The overwhelming evidence reflects that simulated acts of anal intercourse, frontal intercourse, heterosexual intercourse, homosexual intercourse, and group intercourse are committed throughout the play, often without reference to any dialogue, song, or story line in the play. |
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