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Kirby Olson. SUZANN KOLE QUESTIONS FRAMING OF HER WORK IN CORPSE Both in its aesthetic precision as well as animate chaos of virtual detail, Issue 10 of Exquisite Corpse is indeed visually illustrative of the pandemonium inherent to "sex and terror." This integrity of theme and presentation, excites me. Similarly, story your textually poignant (and sub-textually provocative) cautionary tale preluding my phototropic/photopoetic commentary, was stirringly appreciated. story In pondering the phenomenon of textual story and graphic representation in your issue, it seems remarkable that one is able to finger the steam of erotic ambiguity through textually evocative devises--and with such impunity(!). Your prelude, for example, explodes with such naked articulation all over the page; depicting the erotic fluidity of the censored photos in a narrative braille that seduces a quiet voyeurism: a perceptual dimension which is highly protected by poetic license and the licentiousness of a "private read".
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