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Then, when the timing is right (or sometimes not), I'll blurt out, "Yeah, but you want to hear something interesting?" And this is the way I begin the rapist's story: "You know how I've said before my brother's divorced? Well, his legal job wife started to date this cop . . ." It continues with details, even stories of the rapes: "He would try to legal job piss on his victims before and after the rape, but could never do it. Isn't that fucked-up? legal job He took his time, talking to them the whole time. He even gave the women advice on how to avoid this from happening in the future." I tell the story as a build, with my tales of interaction with the rapist. But I always save the kicker for the end, just when the listener can't believe any of this is real. "My ex-sister-in-law, you know what she does for a living?" Pause. Drama, you know. "She's a rape crisis counselor." There's few things finer than a great party story. I seek out people I barely know to tell them, insinuate myself into peripheral conversations about daily events, and then I pull out the rapist's story, and we are all alternately shocked and saddened, sometimes we even laugh at the implausibility of it all, and we share in a moment of mourning for this debased
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