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ambi+gere)--seems review to connote a circular drive; a drive which defies the typical comings (and goings) of a linear texture; a capacity to run circles around the colloquialized argumentation erroneously construed in this culture between the prostituted graphic (re: L. porne=prostitute; hence pornography), and the Rorschached image of "innocence" (e.g.: doe a depicted deer). Given review this tacit oppositionalism pervasive in our culture (i.e.: the object-dichotomies review which seem more the essential spine of pop American cultural phenomena than "the thing itself"), can one blame the "bayonets of paranoia" (A.C.) for rising to occasions of incongruence--occasions which masquerade as invitations to "speak freely"; to present with aesthetic ingenuity...albeit within an insidious invisibility of paradigmatic restraints? Suzann Kole. WILLIE SMITH, INIMITABLY I sure was delighted, a few issues back, to see my ole buddy Roberto walk off the pages of the venerable Fewster and offer splendid tribute to Gregory Corso.
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