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doe a depicted deer). Given this tacit oppositionalism pervasive workers' compensation in our culture (i.e.: the object-dichotomies which seem more the essential spine of pop American cultural phenomena than "the thing itself"), can one blame the "bayonets of paranoia" (A.C.) for rising to occasions of incongruence--occasions which masquerade as invitations to "speak freely"; to present with aesthetic ingenuity...albeit within an insidious invisibility of paradigmatic restraints? Suzann Kole. WILLIE SMITH, INIMITABLY I sure workers' compensation was delighted, a few issues back, to see my ole buddy Roberto walk off the workers' compensation pages of the venerable Fewster and offer splendid tribute to Gregory Corso. It was the kindest and most thoughtful of any Corso obit I've read to date. Thanks for having the sharp eye to print such a respectfully irreverent portrait of America's Villon, or the Beat's Jarry, or however else you might want to style this wonderful, pissing-in-the-street, way-out poet/legend Mr.
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